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研究中国青年文化的发生、形成和发展,有助于进一步理解青年文化的本质和功能,有助于在历史的轨迹中探求青年文化的意义。十年来,这方面的研究不多,大多数人只是在论及青年文化其它方面的特性时,偶尔提到关于这一问题的思考,没有提供严格的论证,不能给人以信服的答案。归纳起来,青年研究学界关于中国青年文化的形成主要有五种观点。一种观点认为青年文化具有普遍性、开拓性、渗透性和幼稚性四个方面的特点。其普遍性特点的一个表现就在于:任何民族,任何时代,凡有青年存在的地方都有青年文化。这也就是说,有了青年,就有了青年文化。“比如,我国最早的诗歌选辑《诗经》中许多诗都是青年文化的组成部分,还有若干雕塑、装饰器、刺绣等也都是青年文化……”。我们认为这种观点失之偏颇,其论据也是站不住脚的。首先撇开青年文化的具体内容,学者们在一个问题上达成了一致的认识,那就是青年文化“使得青年开始脱离校园的,或者
Studying the occurrence, formation and development of Chinese youth culture will help to further understand the essence and function of youth culture and help to explore the significance of youth culture in the historical track. In the past decade, there has been very little research in this area. Most people, when discussing other aspects of the culture of youth, occasionally mentioned reflections on this issue without providing rigorous arguments or convincing answers. To sum up, there are mainly five kinds of views about the formation of Chinese youth culture in the field of young researchers. A view that the youth culture is universal, pioneering, permeable and naive four characteristics. One of the manifestations of its universality lies in the fact that there is a culture of youth in any nation, in any age, wherever there are youth. This means that with youth there is a youth culture. “For example, many of the poems in the Book of Songs, the earliest poetry anthology in our country, are part of the youth culture. There are also a number of sculptures, decorations, embroidery, etc., which are all young cultures.” We think this view is biased, and its argument is untenable. First of all, aside from the concrete content of youth culture, scholars reached a common understanding on one issue: that youth culture "made youth start off campus or