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编者按:钱中文曾以前现代、现代、后现代的并存来描述当下中国文学的基本境况。以此类比文学界的前行态势,似乎也存在着体制写作、学院写作、民间写作、网络文学四者并存的局面。体制写作拥有更多的资源以及相应的专业精神,学院写作恪守知识主义的传统,网络文学则充斥着自由与冒险的精神。上述三种范式,竞相于话语场上厮杀,唯民间写作漂浮如萍,聚散多无踪。不可否认的是,民间写作虽然在其他话语的挤压下,空间愈发逼仄,但因其自身具备的自发性特性、至上性信念,有效维护了文学存在的纯粹性,而纯粹性因素恰
Editor’s Note: Qian Chinese was used to describe the current situation of contemporary Chinese literature with the coexistence of modernity, modernity and post-modernity. It seems that there are also four aspects of institutional writing, college writing, folk writing and online literature coexisting with such analogy and literary world. Institutional writing has more resources and corresponding professionalism. College writing abides by the tradition of knowledge-based knowledge. Internet literature is full of freedom and risk-taking. The above three kinds of paradigm, competing in the discourse field fight, the only folk writing floating like a duck, gathered more without trace. It is undeniable that, although the space for writing is more and more compressed under the pressure of other discourses, the purity of the existence of literature because of its spontaneous nature and the belief in supremacy effectively maintains the pureness of literary existence,