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剧本创作首先会有个大概故事,在故事里要塑造一个主角,这个主角将要在剧中做什么?通过他的所作所为想带给观众什么?这是一个大纲,我们可以把围绕主角展开的最初意图和感受都叫做剧作主导力。有主导力就必然有从属力,我们还可以把那些围绕故事情节生发的铺垫与障碍称为影片剧作从属力。主导力和从属力相互配合,就会产生冲突情境下的内容(血肉),带给剧本所追求的、具体的趣味效果和张力。这是关于剧作构思的功课,它会为其后的剧本段落组织和写作提供更多的内容选择。因此作为剧本从属力部分的障碍,对剧本构思阶段所起的作用就显得非常重要了。
The script will first have a story about the story, to create a protagonist in the story, the protagonist is going to do in the drama? Through what he wants to bring the audience what to do? This is an outline, we can start around the protagonist The initial intent and feelings are called play dominance. There is bound to be a dominant force of subordination, we can also put those bedding and obstacles around the plot of the story called the film play subordinate force. Dominant forces and subordinate forces cooperate with each other, resulting in conflict situations (flesh and blood), to bring the script pursued, the specific fun effects and tension. This is a homework lesson on the concept of dramas, which will provide more choice of content for the organization and writing of subsequent scripts. Therefore, as an obstacle to the subordination of the script, the role of the concept stage is very important.