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中国民族志电影的全面实践,开始于1957年。当时,国家高层领导提出在民族调查中运用电影的手段,并非突发奇想。在中国共产党的历史上,对革命文艺乃至电影的重视,是有悠久传统的。比如上个世纪30年代的左翼电影运动。值得注意的是,官方强调电影手段的运用,其目的不仅仅在于宣传,也注重它记录现实的功能。事实上,红色电影制作的起步,就是从纪录片开始的。1937年日军进攻上海,部分左翼电影人士投奔延安。在周恩来和廖承志的帮助下,袁牧之采购了一批摄影器材,并将荷兰纪录片大师伊文思赠送八路军的一台“埃
The full practice of ethnographic films in China started in 1957. At that time, it was not a surprise that high-level leaders of the country proposed the use of films in ethnic surveys. In the history of the Chinese Communist Party, there is a long tradition of attaching importance to revolutionary literature and art and even films. Such as the left-wing film movement of the 1930s. It is worth noting that the official emphasis on the use of cinematic means is not only for advocacy purposes but also for its function of recording reality. In fact, the beginning of the red film production, is from the documentary began. In 1937, the Japanese attacked Shanghai and some left-wing films went to Yenan. With the help of Zhou Enlai and Liao Chengzhi, Yuan Muzhi purchased a number of photographic equipment and presented Evans, the Dutch documentary master, a ”