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语言是文字的咒语。持有神秘主义哲学者总是将事物由物的本身隐喻为物化之外或是现实之外的精神叙事,而这往往是观者所关注的情绪渲染,但对于艺术家来说,其是否是神秘主义者并不重要,重要的是艺术家对于物象采取的思维方法及绘制途径。这也是水墨艺术从“新文人画”步入“实验水墨”的基本转向原因。在过往我们所看到的水墨艺术中以描绘山水为主题的作品中,所谓的技法与思维依旧停留在不断的复制与微小的拓展之中,
Language is a spell of words. Those who hold mystic philosophies always metaphor things from the material itself to the spiritual narratives beyond or outside of reality, and this is often the emotional rendering that the viewer is concerned about, but whether or not the artist is mysterious The author is not important, but what matters is the artist’s way of thinking and drawing ways of taking objects. This is also the basic reason why the art of ink painting has changed from “new literati painting” to “experimental ink painting”. In the past we have seen in the ink art to depict landscapes as the theme of the work, the so-called techniques and thinking still remain in constant replication and minor expansion,