《新疆曲子》寻踪纪实电视片之《新疆曲子·天山籁音》

• 出 处: 文化月刊
• 发表日期: 2014年34期
• 关键词: 三娘教子 呼图壁 表演程式 伴奏乐器 坐唱 舞台表演 官诰 张琏 舞台语言 著名艺人

【讲述】新疆曲子是吸收秦腔表演程式的具体表现。原本只有坐唱、走唱,现在多了一个舞台表演形式,增加了服装道具和伴奏乐器,使原来属于曲艺的新疆曲子多了一个戏曲的属性。这一时期演唱的主要剧目有《杜十娘怒沉百宝箱》《双官诰》《李彦贵卖水》《张琏卖布》《三娘教子》等。使部分新疆曲子曲目逐步变成了新疆曲子戏剧目。早期的新疆曲子念白并不是新疆土话,而是普遍采用了陕西语音,1990年6月,在呼图壁新疆曲子剧团成立十周年之际,

[About] Xinjiang song is the specific performance of the program to absorb the performance of Shaanxi Opera. Originally, only sitting and singing, singing, and now more than a form of stage performances, an increase of costume props and accompaniment instruments, so that the song belongs to the folk art of Xinjiang more of a drama attributes. The main repertoire of this period were “Du Shiniang”, “Double Crown”, “Li Yan Gui Shui”, “Zhang Huan Bu Bu”, “Sanniang Church Son” and so on. So that part of the song in Xinjiang gradually become Xinjiang melodrama. In early Xinjiang, the tune of song was not spoken in Xinjiang, but rather widely adopted in Shaanxi. In June 1990, on the occasion of the tenth anniversary of the establishment of Xinjiang tune opera in Hutubi,