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在中国现代化、城市化、国际化的历史进程中,对城市与乡村关系的镜像叙事一直是电视剧重点关注的话题。检视20世纪50年代以来颇有代表性的涉及城乡关系的电视剧,从题材热点的变化、人物的关系与命运、影像语言的叙事意味等方面,电视人用现代声像手段,展现了中国城乡关系的嬗变以及在历史裂变中人们心灵的轨迹。一、传统乡土的赞美性书写与内在的焦虑上个世纪,作为还是一个农业大国的中国,在一个全球化时代开始了其都市化的进程。不仅千年古都北京、西安焕发了生机,而且上海、广州、香港、深圳等现代都市因地处沿海,交通便利、经济发达而迅速崛起。但因几千年传统农业文化的历史惯性,尤其是1950年代以来政治意识形态的导向,深具意识形态品格的文学影视艺术在题材选择、主题建构的叙事倾向上始终表现出对乡土的迷恋和对城市的抵触。其一,从题
In the historical process of China’s modernization, urbanization and internationalization, the mirror narration of the relationship between city and country has always been the focus of drama. Viewing the representative TV series involving urban-rural relations since the 1950s, the TV show the relationship between urban and rural areas in China from the perspectives of hot topics, the relationship and fate of characters, the narrative meaning of video language, etc. Evolution and the path of people’s mind in the fission of history. First, the traditional local praise writing and inherent anxiety In the last century, as an agricultural power in China, in a globalized era began its urbanization process. Not only the ancient capital of Beijing in the millennium, Xi’an full of vitality, and Shanghai, Guangzhou, Hong Kong, Shenzhen and other modern cities because of the coastal, convenient transportation, rapid economic development and rise. However, due to the historical inertia of the traditional agricultural culture for thousands of years, especially the political ideology since the 1950s, the literary and artistic art with deep ideological character has always shown the fascination with the local culture in the theme selection and theme construction. Confrontation to the city. First, from the title