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现代京剧《红灯记》是60年代初问世的艺术精品。著名导演艺术家阿甲说:“这个戏教育寓于艺术性之中,人的理性寓于审美的感性之中,它不是高喊教条。因此,这种崇高形象、悲壮行为,尤其是在群体剧场意识下,在戏曲的表演方法和观众直接交流的情况下,就能唤起人们一种崇高美的感染,引起人们的同情,引起人们的振奋。”我以为这就是《红灯记》在20年后的今天仍然光彩夺目的根本所在。中国京剧院再度上演《红
Modern Beijing Opera “Red Lantern” is the early 60s came out of the art boutique. Well-known director and artist A Jia said: “This drama education lies in the artistry, and the human rationality lies in the aesthetic sensibility, which is not shouting dogma.Therefore, this sublime image and tragic act, especially in the sense of group theater, In the case of direct communication between the performance methods of the opera and the audience, it can arouse people’s lofty beauty and arouse people’s sympathy and arouse people’s excitement. ”I think this is the story of“ Red Lantern ”still 20 years later Dazzling radically lies. China Peking Opera staged again "red