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在第41届戛纳国际电影节上,中国影片《孩子王》被一群电影记者们签名评为最令人厌倦的影片,授予“金闹钟奖”。尽管《孩子王》是继《阿Q正传》以来仅有的一部中国的参赛片,尽管步入戛纳电影节是中国电影走向世界的象征,但是,“金闹钟奖”却有不容乐观的一面,它让我们意识到要真正走上世界影坛,“还有一段相当漫长的路”要走。那么,在《孩子王》与“金闹钟奖”之间是否有必然的联系呢?它能让我们得到哪些的感受呢? 《孩子王》在“戛纳”失宠最重要的原因是艺术技巧上的单调及中西文化之间的差异。陈凯歌走的
At the 41st Cannes International Film Festival, the Chinese film “King of Children” was voted the most tiresome film by a group of film journalists and awarded the “Golden Alarm Clock Award.” Although “The King of Children” is the only Chinese film that has appeared since the “True Story of Ah Q,” although the entry into the Cannes Film Festival is a symbol of the Chinese movie going to the world, the “Golden Alarm” is not optimistic On the one hand, it makes us realize that we must truly embark on the world film scene and “there is still a rather long way to go”. So, is there a necessary connection between “King of Children” and “Golden Alarm Clock Award?” What makes it possible for us to feel it? The most important reason why “King of Children” is out of favor in “Cannes” is due to artistic skills Monotonous and differences between Chinese and Western cultures. Chen Kaige go