论文部分内容阅读
四、无纵横气第四个问题,绘画的图像世界是记录还是创造的问题,董其昌关于“无画史纵横习气”的思考很有价值。明代中期以来倪云林在文人中享有极高位置,画史上有所谓“云林画江东人以有无论清俗”的说法。在董其昌看来,云林几乎是文人画之圣哲,是无与伦比的。云林是其一生最为推重的艺术家,但他所理解的云林又与一般人不同,所看重的是云林孤亭寒林中所饱
Fourth, no arrogance The fourth question, the image of the painting world is recorded or created by the problem, Dong Qichang on “no history of painting and history ” thinking is valuable. Since the middle of the Ming Dynasty, Ni Yunlin enjoys a very high position among the literati. The history of painting has the same notion of “whether or not Yunlin painted Jiangdong with vulgarity”. In Dong Qichang’s opinion, Yunlin is almost incomparable with the sage of literati painting. Yunlin is the most important artist in his life, but Yunlin, whom he understands, is different from most people,