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寒意渐浓,年关将至,不知不觉间,马年春晚又来了。实际上,下一年的春晚造势,经常提前一年就开始,偶尔透露点信息出来,让舆论适时保持关注,公众也就总不能摆脱春晚若有若无的影响。比如姜昆就说“小刚导演希望能在2014年春晚上看到梁左创作的那种讽刺相声,我觉得这是一种非常美好的愿望,变成现实很难。”导演想看到、演员愿意创作,但为什么还是很难实现?个中原因值得深思。从这个问题延伸出去,笔者想探讨在电视传播新时代,春晚如
Chill gradually thick, the year approaching, unconsciously, the horse Spring Festival is coming again. In fact, the momentum of the Spring Festival Evening of the next year often begins a year early, occasionally revealing some information and keeping the media timely attention. The public can not always get rid of the influence of Spring Festival Evening. For example, Jiang Kun said, “Director Xiao Gang hopes to see the comic dialogue created by Liang Zuo in the spring of 2014. I think this is a very beautiful wish and it becomes very difficult to realize.” " Performers are willing to create, but why is it still difficult to achieve? The reason is worth pondering. Extending from this issue, I would like to explore the new era of television, such as Spring Festival Evening