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梅国云小说《第39天》以“转业”为议题,通过塑造牛大志这一形象,反映了转型时代的军队与社会生活场景。在作者的叙事中,以个体与社会的冲突为主线,不断地将人物抛掷于生命的悖论情境。于是,以精神分析承载社会批判,梅国云的小说创作成为现实主义传统的一个新的注脚。《第39天》超越了“转业”这个议题,进而超越了军旅小说的框架。梅国云的写作再次证实了小说与历史之间的隐秘联系,也是将小说“再政治化”的创作实践。
On the 39th day of the novels of Mei Guoyun, with the image of “turning to work”, the image of Niu Dazhi was shaped to reflect the military and social life in the transitional era. In the author’s narrative, the conflict between individual and society as the main line, constantly throwing characters in the paradox of life. Thus, with psychoanalysis bearing social criticism, Mei Guoyun’s novel creation has become a new footnote in the realist tradition. “Day 39” surpassed the topic of “career change” and thus went beyond the framework of military novels. The writing of Mei Guoyun once again confirmed the hidden relationship between novels and history and also the creative practice of re-politicizing the novel.