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文章的简与繁,是既矛盾又统一的。或简,或繁,都要视其表情达意的需要而定。即人们常说的“常止于不可不止”和“常行于所当行。”若看古今中外文学大师的创作,惜墨如金的简笔与用墨如泼的繁笔是不乏其例的。先说“简”吧,鲁迅先生就曾说过:“竭力将可有可无的字,句,段删去,毫不可惜。”要力求简洁精炼,做到言简意赅,语约情深。《水浒传》中写山神庙的风雪一段,只一句:“那雪正下得紧。“一个“紧”字,蕴含了多少意思,真是“境界全出”。难怪鲁迅先生赞之为“神韵”之笔。鲁迅先生
The simplicity and complexity of the article are both contradictory and uniform. Or simple or complicated, depending on the needs of expressions. In other words, people often say that “there is always time to stop,” and “permanent line should be done.” If you look at the creation of ancient and modern literary masters, there are no shortages of examples of the simplicity and ink-blowing of Xi Moru. Let’s talk about “Jane” first. Mr. Lu Xun once said: “Destination to delete unnecessary words, sentences, and paragraphs is not a pity.” Be concise and concise, be concise and concise. In “Water Margin”, the blizzard of the mountain temple was written in a sentence: “That snow is coming down tightly.” The word “a tight” contains many meanings. It is really “all out of the realm.” It is no wonder that Mr. Lu Xun praised the pen of “Spirit”. Mr. Lu Xun