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一电影批评的属性是什么?是艺术还是科学?抑或两者兼而有之?这是一个貌似简单,可实际上却令人困惑的问题。对此,在理论上,有人强调其艺术性,也有人强调其科学性。在实践上,有些电影批评,情感浓烈,文采飞扬,主观性很强,似乎可视之为一种艺术创作;而有些电影批评,不仅剖析透彻,论证严密,客观性很强,而且还运用了一些科学的方法和术语,似乎又很象一般的科学研究。究竟应该怎么看?对此实有必要作一番考察和探讨。在具体论述这一问题前,先应对电影批评和电影理论研究作一点区分。因为我们通常习惯于把电影批评看作是电影理论研究的一个组成部分,而很少注意到两者在差异性里体现出来的不同
What is the attribute of a movie criticism? Is it art or science? Or is it both? This is a seemingly simple, but in fact, perplexing question. In this regard, in theory, some people emphasize its artistic, but also some people emphasize its scientific nature. In practice, some film critics have strong emotions, high literary talent and strong subjectivity, which seems to be regarded as a kind of artistic creation. However, some film criticisms are not only thoroughly dissected, rigorous and objective, but also applied Some scientific methods and terminology seem to resemble general scientific research. What should we look after? It is really necessary to make some investigation and discussion. Before discussing this issue in detail, we should first make a distinction between film criticism and film theory research. Because we are usually accustomed to the film criticism as an integral part of the study of film theory, and rarely noticed the difference between the two reflected in the difference