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总有十年了罢?没有十年也有八年。第一次看见马蒂斯这幅《心不在焉的读者》,惊为天人,高兴得说不出话来。有种隔世重逢的感觉,踏遍海角天涯,宁静与平安原来一直挂在墙上,只等你款款走来和它相认。画中人左手托腮,手臂搁在一张长方桌子上。大概是张梳妆台,那面椭圆形的镜子透露了它的身份。不过胭脂水粉挪走了,摆了一瓶花,和一本摊开了的书。题目是小小的恶作剧——所谓心不在焉的读者,其实是个心不在焉的模特儿,坐在那里任由书家涂涂画画,斜着眼看画打发时间。盛开的瓶中花是她的心声,春天在外头,她人在室内为五斗米折腰,但心已经飞出去了。粤剧《香君守楼》突然在记忆中响起,南音衬底的大珠小珠,撒落玉盘萦绕不去的是这一句:“楼门紧闭,不许风情
There are always ten years left? There are ten years there are eight years. The first time I saw Matisse this ”absent-minded reader“, scared of the world, happy speechless. There is a feeling of reunion, traveled across the Cape horizon, the original peace and security has been hanging on the wall, only waiting for your money came and recognize it. Painted middle left cheek, arm resting on a rectangular table. About a dresser, the oval mirror revealed its identity. But rouge gouache moved away, put a bottle of flowers, and a spread of the book. The title is a small prank - the so-called absent-minded reader, in fact, is a distracted model, sitting there to let the artist Tu Tu paint, obliquely watching the painting to pass the time. Flowers in full bloom in her heart, the spring is outside, her waist in the room for five meters, but the heart has flown out. Cantonese opera ”Xiangjun Shoulou“ suddenly sounded in memory, beads beads on the South sound substrate, sprinkled jade plate linger is this one: ”Door closed, not allowed style