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木刻艺术是从有限的刀和木刻制留下的形迹中经过印刷展现出无限的世界,任何形象,只有如此,才能获得木刻有效的艺术生命。木刻艺术是靠视觉和心灵来完成的,其任务决不是仅仅通过故事的情节的构筑,也不是单纯的物象外表的描写,更不是种种形体在画面上的堆积。视觉是直觉的门户。形象的进入,思想的延伸,意识的反映由此产生。造型艺术的效果本身正是艺术的重要生命,视觉效果取决于画面艺术语言的明确性,层次的深化程度。这蕴藏着大量的信息能量。黑白木刻经刀在木版上刻制,产生了丰富的点、线、面。它作为独立的艺术语言,具有美学价值而存在,一经心灵的运作和组织,将获得强大的艺术效应和生命力。同时排斥一切和他本质精神无关的信息和视觉不需要的非画面场的东西。
Woodcut art is printed from the limited traces of knives and woodcuts to show the infinite world, any image, the only way to get woodcut effective art life. Woodcut is accomplished by the vision and the mind. Its task is by no means merely constructed through the plot of the story, nor is it simply the appearance of the appearance of the object, nor is it the accumulation of various forms on the screen. Vision is the intuitive portal. The image of the entry, the extension of ideas, resulting from the reflection of consciousness. The effect of plastic arts itself is an important life of art, the visual effect depends on the clarity of the screen art language, the level of deepening. This contains a lot of information energy. Black and white wood engraved by the knife on the wood engraving, resulting in a wealth of points, lines, noodles. It exists as an independent artistic language with aesthetic value. Upon its spiritual operation and organization, it will gain powerful artistic effects and vitality. At the same time rejecting everything that is not related to his essence and to the non-visual field that vision does not need.