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20世纪西方文论自尼采起,经由海德格尔,直抵福柯与德里达。在此思想图谱上,海德格尔承上启下,居中转折。以下三篇,连续介绍海氏对当下文论的深重影响,同时也提示并解答如下三个问题:第一,胡塞尔殚精竭虑,图谋哲学改造,可他悲惨地失败了。什么原因?第二,海德格尔与老师分道扬镳,剧烈扭转现象学发展方向。二人主要分歧何在?第三,转折过程中最精彩的一段掌故,事关海氏从思(Denken)到诗(Dichten)的学术摆渡———这位现象学大家为何要步尼采后尘,即从正而八经的哲学思辨,一步步走向花里胡哨的文艺与诗思?
20th century Western literary theory from Nicae, through Heidegger, arrived in Foucault and Derrida. In this ideological map, Heidegger inherited Kai, turning the middle. The following three articles continuously introduce Hai’s profound influence on the current literary theory. At the same time, they also prompt and answer the following three questions: First, Husserl worked hard to make philosophical changes, but he failed miserably. What are the reasons? Second, Heidegger parted ways with the teacher, violently reversed the development of phenomenology. Third, what is the main difference between the two? Third, the most wonderful passage in the turning point is the academic ferry from Denken to Dichten --- why is phenomenology going after Nietzsche, namely, From the positive eight-philosophical speculation, a step by step toward fancy literature and poetry?