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我一直推崇艺术形象的“不似之似”。“不似之似”说对中国文化学术理论产生过重大影响,齐白石先生对此进一步发挥,他说:“作画妙在似与不似之间,太似为媚俗,不似为欺世。”这种艺术语言方式让我很着迷,由于没有和盘托出,因此显得无穷无尽。艺术创作来源于客观事物,但并不是客观现实的复制品,作品应是含有艺术家对形象的提炼与转换,使之达到客观现实与主观意识的融合,画面结构的经营和气氛渲染,一直是体现我创作意图的重要途径。艺术创作主题的形成来自我平常生活中的所思所想,主要分为两部分:室内人物及风景。
I always admire the artistic image of “not like”. “Not Like ” Said to have a significant impact on the academic theory of Chinese culture, Mr. Qi Baishi further play on this, he said: “The painting is wonderful in between like and not like, it seems too vulgar, not like bullying World. ”This art language makes me fascinated, because there is no coincidence, so it seems endless. Artistic creation comes from objective things, but it is not a replica of objective reality. Works should contain artists’ refinement and conversion of images so as to achieve the integration of objective reality and subjective consciousness. The operation and atmosphere of the picture structure are always reflected I create an important way of intent. The formation of the theme of artistic creation comes from what I thought and thought in my ordinary life, which is mainly divided into two parts: interior figures and landscapes.