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六十年代,美国流行所谓“认同”观念。它起源于心理学,说的是,一个人的人格,发展到某个阶段,就会提出自我确认问题:我是谁?我是什么?我已经做过什么,还应该做什么?后来,这个观念推广到了几乎一切领域。一个文化也有文化的认同。文化的认同,简单地说,就是“寻根”。在文学里,新的趋势是不写积极创造自己的命运和改造世界的强有力的人物,而写一些没有独特性格的“反主角”无能为力地受他们自己毫不理解的各种社会系统和文化系统的支配。这就叫文脉主义。六十年代,正好结构主义作为一种思想方法风靡一时,它跟文脉主义结合起来,在文学中提倡探索社会系统和文化系统下面的深层结构,往往就追溯到民族的起源、原始的文化等等方面去。这就叫做寻根。
In the 1960s, the United States popularized the so-called “identity” concept. It originated in psychology. It was said that a person’s personality, when developed to a certain stage, would raise the question of self-identification: Who am I? What am I? What have I done and what should I do? Later, this The concept has been extended to almost all areas. A culture also has a cultural identity. Cultural identification, simply put, is “seeking roots.” In literature, the new trend is not to write strong characters that actively create their own destiny and transform the world, and to write some “disappearances” without unique personality are incapable of being influenced by various social systems and cultures that they themselves do not understand. System control. This is called contextualism. In the 1960s, exactly as a way of thinking, structuralism was all the rage. It was combined with contextualism and advocated in the literature to explore the deep structure underlying the social system and cultural system, which often traced back to the origin of the nation, the original culture, etc. Wait for the other side. This is called root seeking.