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李伯安（１９４４－１９９８），河南洛阳人，２０世纪末一位漠视功名、不求闻达、默默耕耘于国画人物之苑的艺术赤子。他广采博纳，融汇中西，大大地丰富了国画人物艺术语言的表现力。他痴情于北方老农，画风老辣而雄放。他历时十载创作的人物长卷《走出巴颜喀拉》，以它高昂的立意、恢宏的气象、精湛的刻画和独具个性的艺术语言，把２０世纪中国的长卷水墨人物创作推上了一个新的高峰。１９９８年５月２日，画家倒在了正在创作中的人物长卷之前，他把自己完全地融进了“巴颜喀拉”那一派漫天皆白寥廓无垠的圣境。 人类美术史不会忘记李伯安。 ——乙丙
Li Bo’an (1944-1998), Luoyang, Henan Province, late 20th century, ignoring fame, do not ask for news, quietly cultivated in the Chinese painting of the Court of Art’s simple child. He widely adopted Bonaventure, blending Chinese and Western, greatly enriched the artistic expression of Chinese painting characters. He is infatuated with peasants in the north, his style is old and spicy. His ten-year-long character scroll “Out of Bayan Har”, with its high intention, magnificent weather, superb portrayal and unique artistic language, put 20th-century China’s long scroll of ink figures creation onto a New peak On May 2, 1998, before pouring his scroll into the character being created, he completely integrated himself into the boundless sacred territory of “Bayanhar”. History of human art will not forget Li Boan. - B