明清剧家改、续《西厢记》的基本倾向及其原因

• 作 者: 李娜
• 机 构: 天津师范大学文学院,
• 出 处: 安徽文学(下半月)
• 发表日期: 2009年06期
• 关键词: 《西厢记》 王实甫 剧家 杂剧 西厢 卓人月 莺莺 张生 剧作家 《莺莺传》

王实甫的《西厢记》杂剧虽然是“天下夺魁”的巨著,然而,明清两代却有不少剧家对它进行了这样或那样的改编。他们之所以改、续写《西厢记》,是因为他们认为《西厢记》崔、张“苟合”有伤风化,崔、张婚姻有违史实,崔、张最终团圆不符合人世生死悲欢的规律特别是不能垂范风世。

Although Wang Shih-fu’s The West Chamber drama was a masterpiece in the world, many dramatists in the Ming and Qing dynasties carried out this or that adaptation. The reason why they changed, continued writing “The Romance of the West Chamber” because they think the “West Chamber” Cui, Zhang “Gouhe ” have become weathered, Cui, Zhang marriage contrary to historical facts, Cui, Zhang final reincarnation does not meet the joys and sorrows of life and death In particular, the law can not hang vertical style.