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作品取名《风墙》,喻意改革之风、时代之风正在与阻遇其凌厉攻势之“墙”进行着一番久蓄而今至的较量,正所谓“青萍之末,止于风墙”。作品不仅写“风”与“墙”的较量,也写了构成“风”的各种分力(主要是一批当代青年)之间的映衬、对比、诘难和互补。在此过程中,艺术家显示出一种相当彻底的多元的价值取向和豁达的包容精神,从而表现出至少在我们陕西极为罕见的现代意识。三位青年主人公的性格是一个典型的例子。具有唐·吉诃德精神的钱天玄,沾有
Works named “wind wall”, metaphorical style of reform, the style of the times and its resistance to the fierce offensive of the “wall” for a long time savings to the contest, is the so-called “Qingping at the end, ending in the wind wall”. The works not only show the contest between “wind” and “wall”, but also set off the contrasts, comparisons, difficulties and complementarities between the various forces that constitute the “wind” (mainly a group of contemporary youth). In the process, the artist showed a rather thorough and pluralistic orientation of value and open-mindedness to show the modern consciousness that is extremely rare in at least Shaanxi. The character of the three young protagonists is a typical example. Qian Tianxuan with Don Quixote spirit, stained with