名画失窃为何多

• 作 者: 郑志国
• 出 处: 世界博览
• 发表日期: 1991年12期
• 关键词: 艺术品市场 伦勃朗 加利利海 伊莎贝拉 弗美尔 波士顿市 斯图尔特 国际艺术 瞳目结舌 艺术珍品

1990年3月,一伙装扮成警察的窃贼假装漫不经心地交谈着,走进了波士顿市伊莎贝拉·斯图尔特·加德纳博物馆,导演了一起历史上最大的盗窃案。在这起发生在清晨的盗窃案中,有13件艺术品被盗,价值2.58亿美元以上,其中包括17世纪荷兰大师弗美尔的30多幅作品之一——《音乐会》,以及伦勃朗惟一为人所知的海景画——《加利利海边风暴》。如果我们想一想,将失窃的艺术品出售或利用它们勒索赎金的风险有多大,就会对每年有这么多

In March 1990, a group of disguised as police thieves pretended to talk casually and walked into the Isabella Stewart Gardner Museum in Boston and directed one of the largest thefts in history. Thirteen pieces of art were stolen in the early morning theft, worth over $ 258 million, including one of the more than 30 works by Dutch master Vermeer in the 17th century - “Concerts” Blanc’s only known seascape - the Sea of ​​Galilee storm. If we think about how much the risk of selling stolen art pieces or exploiting them for ransom would be so much for each year