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“秋香露冷侵楼榭,静坐书斋调素毫;晨夕青灯黄卷里,闲情古意最清寥。”(七绝·《容居拾得》)以上是我的自作诗,可情状我与书法为伴,且不懈“持守改善”的景况。现在想起来,我没有过“幼承庭训”的福分。我父亲自小念过两年私塾,后来进厂当学徒,在厂里的速成中级文化补习班学习过,会识文断句,有用毛笔抄写《百家姓》、《三字经》的童子功。在我小时候的眼里,父亲的毛笔字非常之好。于是,我从小也喜欢写毛笔字了。六十年代我上小学的时候,学校每天下午有写毛笔字的课,作文也用毛笔誊写。那时,国家经济困难,写字课是用印在黄色毛糙纸上的不很高明的柳体毛泽东词《沁园春·雪》作范本,供学生们临习。
“Qixianglu cold invasion floor, meditation book vegetarian cents; morning yellow light yellow volume, the lonely past the most lonely. ” (Qijun · “Yung Ju Gather”) is my self-poetry can be Situation I calligraphy companion, and relentless “hold to improve ” situation. Now I think of it, I have not had the blessing of “bearing young mothership.” My father studied for two years since his childhood private school, and later into the factory as an apprentice, in the factory of the intermediate-speed cultural studies classes have learned, will literary Sentenced, useful brush copy “family name”, “Three Character Classic” boy scout. In my childhood eyes, my father’s brush pen words are very good. So, I also like to write a brush from childhood. When I was in primary school in the 1960s, the school wrote a writing lesson of calligraphy every afternoon, and writing was also written in brush writing. At that time, the country was in economic difficulties. The writing class was written by the not-so-salient Mao Zedong Mao Zedong word “Patio Spring Snow” printed on yellow rough paper for students to attend.