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龚自珍、魏源以“龚魏”并称。龚魏均性喜山水,都创作山水诗以寄托情志。龚自珍于近代山水诗具有开创之功,魏源则具有开拓之功。然而至今尚缺乏对二人山水诗的比较研究。故本文以此为契机,从龚魏山水诗的语言入手,进行品析与比较:龚自珍山水诗的语言瑰丽,色彩绚丽,绮丽的色彩语言中饱含着诗人丰富的思想情感,语言虽瑰丽,但无造作之痕;魏源山水诗的语言质朴,善用白描的写实之笔,能将工笔描写和大笔淋漓相结合,兼善对比,突出山川的独特神韵,语言虽质朴,但无浅易之感。同时,二者山水诗的语言在自然畅达方面又是相通的。总体而言,龚自珍与魏源的山水诗各具特点和价值。
Gong Zizhen, Wei Yuan to “Gong Wei” and said. Gong Weijin Himalayan landscapes, are the creation of landscape poetry to sentiment. Gong Zizhen in the modern landscape poetry has pioneered the power, Wei Yuan has the pioneering work. However, there is still a lack of comparative study of the two poems. Therefore, taking this as an opportunity, this article starts with the language of Gong Wei’s landscape poems to analyze and compare them. The poems of Gong Zizhen’s landscape poems are magnificent, beautiful and colorful. The rich and colorful languages contain poet’s rich thoughts and emotions. No trace of making; Wei Yuan landscape poetry simple language, make good use of the realistic drawing of the white strokes, can describe and summertime brushwork, good contrast, highlighting the unique charm of the mountains and rivers, although the language is simple, but no easy feeling. At the same time, the language of the two landscape poems is similar to each other in nature. Overall, the poems of landscape poems by Gong Zizhen and Wei Yuan have their own characteristics and values.