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近30年来,随着传媒的日益发达和各类新兴审美样式的崛起,曲艺已渐次从人们的视野中淡出,就连往日人见人爱的相声也如明日黄花,几成“被爱情遗忘的角落”。一些传统文化学者、民族民间文艺工作者和曲艺界的有志有识之土或呼吁抢救,或鼓吹振兴;或耽于往日之辉煌而叹晚景之凄凉;或嗔怨世风之变迁而悲逝者如斯夫。凡此种种,都未
In the recent 30 years, with the increasingly developed media and the rise of all kinds of emerging aesthetic styles, folk art has gradually faded from the people’s vision. Even the familiar crosstalk of the past days is also forgotten by love corner of". Some traditional culture scholars, national folk artists and folk art circles knowingly soil or call for rescue, or advocate the revitalization; or indulge in the glory of past glory night scenery desolate; Si Fu. All this, none at all