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批评在文学中变得越来越没有地位了,批评正在退化。文学批评不对文学作品说话;文学批评失去锐气;文学批评没有文学性。上述三点是当今文学批评通病。曾经有过那样的时候,文学批评充斥着政治术语,批评家满口“八股”而唯独没有自己的语言。在那时候,倡导并弘扬批评的个性,甚至主张“我批评的就是我自己”,这当然有其历史的合理性,其观念是前进的。但批评家若对批评的“不自由”属性没有认识,无限制地扩张他自认为的“自由”,那就会产生偏离甚至歧误。批评家批评的首先是作品,他不论如何海阔天
Criticism has become less and less popular in literature, and criticism is degrading. Literary criticism does not speak of literary works; literary criticism loses its vigor; literary criticism has no literary character. The above three points are the common problems in today’s literary criticism. There have been times when literary criticism was filled with political terms, and critics snapped “eight-stock” with no language of their own. At that time, advocating and promoting the personality of criticism and even advocating “I criticized myself” certainly has its historical rationality and its concept is advancing. However, if critics do not understand the “not free” nature of criticism and unlimitedly expand what he considers to be “freedom,” there will be deviations and even errors. Critics first criticize the work, no matter how much he can do