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民主革命阶段,党領导的进步戏剧运动,有很多好的斗爭经验,应該总結一下。那时,戏剧工作者在国民党反动派統治下,經常受到限制和迫害,我們拿起戏剧武器向帝国主义、向国民党反动派进行斗爭,主要靠人,靠群众支持。五四以后,郭老、曹禺、于伶、陈白尘諸同志的戏都是现实性很强的;抗战以后,在解放区有《同志,你走錯了路!》,《把眼光放远一点》以及許多抗日題材的戏;在国統区所謂“好(《三江好》)一計(《最后一計》)鞭子(《放下你的鞭子》)”
At the stage of the democratic revolution, the progressive theater movement led by the party should have a lot of good experience in fighting and should be summed up. At that time, under the rule of the Kuomintang reactionaries, the theater workers were often subjected to restrictions and persecution. We took the drama weapons to fight imperialism and the Kuomintang reactionaries mainly by people and by the masses. After the May Fourth Movement, the operas of Guo Lao, Cao Yu, Yu Ling and Chen Baichen were very realistic. After the war of resistance against Japan, there were “comrades in the liberated areas, you went the wrong way!”, “Looking farther away” and Many scenes of the anti-Japanese theme; the so-called “good” (“Sanjiang Hao”) plan (“last plan”) whip (“drop your whip”