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随着80年代大美学的热潮渐趋退却,学人们纷纷转向各自的专业美学建树,在西学风涌、后现代解构思潮和先锋艺术甚嚣尘上的时代,以叶朗先生及其弟子为代表的中国美学和书画美学一脉,历经30余年的艰苦开掘和默默耕耘,不断发扬国学的人文内涵和真精神。樊波先生承师门复兴传统之大任,既深入史料勾玄抉微,又纵横捭阖总其大要,不仅在中国书画美学理论领域卓有建树,贡献了《董其昌研究》《中国书画美学史纲》《中国画艺术专史——人物卷》等力作,而且还坚持将传统书画理论之精髓转化到自己的国画实践中,探索锤炼,终于在天命耳顺之年呈现出格调高古苍郁、
With the gradual retreat of big aesthetics in the 1980s, people turned to their respective professional aesthetics. In the era of western learning, post-modern deconstruction and avant-garde art era, the Chinese aesthetics represented by Mr. Yelang and his disciples And aesthetics of painting and calligraphy, after more than 30 years of hard digging and quiet work, continue to carry forward the humane content and true spirit of the Chinese studies. Mr. Fan Bo’s mission of rejuvenating the door is not only deeply penetrating the historical materials, but also making great achievements in his works. He not only made great contributions to the field of Chinese painting and calligraphy aesthetics, but also contributed to the “Research on Dong Qichang’s Studies” and “Outline of Chinese Painting and Calligraphy Aesthetics” “Chinese painting art history - character volume” and other masterpieces, but also insisted on the essence of the traditional painting and calligraphy theory into their own practice of traditional Chinese painting, exploration and temper, and finally in the life and destiny show a style of ancient cogan,