硕大无朋——当代美国盛行的巨型版画

• 作 者: 儒尼·柯恩 言志
• 出 处: 艺圃(吉林艺术学院学报)
• 发表日期: 1986年02期
• 关键词: 版画创作 索罗门 丝网版画 那可不 黑白木刻 表现主义 佩斯 里兹 八十年代 马蒂斯

当代巨型版画的盛行已成为一种潮流,它越来越引起评论家的瞩目,“这是一种理所当然的进化,”一位佩斯出版公司的理查德·索罗门对此作了上述估计。他还指出“事物的发展往往是忽小忽大的”。对八十年代出现的这种新趋向,他则以为“那可不是一时的心血来潮”。另一位被称为“想象力和印象的倡导者”的里兹·阿姆斯特朗则指出:“对当代的青年艺术家来说,从事巨型版画是为了打

The prevalence of contemporary mega-prints has become a trend that is drawing more and more attention from critics, “It is a natural evolution,” said Richard Solomon, a Perth publishing firm, . He also pointed out that “the development of things is often big and small.” For the new trend that emerged in the 1980s, he thought “it was not a whim.” Another Ritz-Armstrong, who is known as “The Proponent of Imagination and Impression,” points out: "For contemporary young artists, the giant printmaking is for