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城市公共环境是城市美学的重要载体,大到公园、广场、街道,小到雕塑、公共设施,无不成为城市外在形象与文化内涵的反映。城市公共环境艺术的审美选择,涉及建设者如何决策管理、环境艺术家如何创作、公众如何评价等,不仅关乎艺术语境的审美体验,还关乎相关利益主体的价值观。前不久,长沙地铁2号线的62个地铁站相继建成,引来不少市民、网友热议。其中五一广场站出入口采用蓝色矩形框架、玻璃幕墙为外观形式,橘子洲站出入口采用和周围建筑“统一风格”的民房样式。有市民认为这些建筑“不显眼”、“设计太简单,
Urban public environment is an important carrier of urban aesthetics. From the large parks, squares, streets, small sculptures and public facilities, it becomes a reflection of the city’s external image and cultural connotation. The aesthetic choice of urban public environmental art involves how builders manage their decisions, how environmental artists make their own works and how the public evaluates them. It is not only related to the aesthetic experience of artistic context but also to the values of relevant stakeholders. Not long ago, Changsha Metro Line 2 of the 62 subway stations have been completed, attracting many people, friends hot. Among them, the entrance and exit of Wuyi Square Station adopts a blue rectangular frame and the glass curtain wall is in the form of appearance. The entrance and exit of Juzizhou Station adopts the residential style of ”unified style“. Some people think that these buildings ”inconspicuous “, ”design is too simple,