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洛杉矶郡立美术馆戴安娜·塔特尔的回顾展“同情的想象”的现场,《无题:视频墙(蝴蝶)》由6个48英寸的纯平显示器平躺摆放在地面上,连接显示器与电源、播放器等的黑色电线随意缠绕,也慵懒地盘落在地面上。显示器中播放着一只缓慢扇动着艳丽橘黄色翅膀的美洲帝王蝴蝶。凌乱的摆设全部沉浸在橙色荧光灯的温暖氛围中,镜头对焦在蝴蝶的局部,每个显示器都呈现一个不同的部分,调慢速率的蝴蝶振翅图像在刻意的人造环境中获取了一种解构的、超自然的、近似诡异的“敬畏感”。在塔特尔逾25年的艺术生涯中,“动物”一直是她创作的中心。她拍摄过印度斋浦尔寺庙的猴子、加勒比海深处的海豚、中国的
Retrospective by Diana Tuttle at Los Angeles County Museum of Art “Sympathetic Imaginations ” scene, “Untitled: The Video Wall (Butterfly)” is laid flat on the ground by six 48-inch flat- Connect the monitor and power supply, black wire player random winding, but also lazily landed on the ground. The monitor shows an American imperial butterfly that slowly flaps its brilliant orange wings. Messy furnishings are all immersed in the warm atmosphere of the orange fluorescent lamp, the lens focus on the part of the butterfly, each display presents a different part of the slow-speed butterfly wings image in a deliberately artificial environment to obtain a deconstruction Of the supernatural, similar to the strange “awe feeling ”. In his more than 25 years of artistic career at Tatel, Animal has always been at the heart of her writing. She photographed the monkeys in Jaipur Temple, India, dolphins in the deep Caribbean Sea, China