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你究竟在什么地方读到过杜甫和他的挚友李白合写的一首抒情感怀的诗呢?你在什么地方读到过屠格涅夫和他的同时代人托尔斯泰合写的一篇小说?或者,你听过舒曼和他的好友门德尔松、勃拉姆斯三个人凑在一起创作的一部钢琴协奏曲? 的确,翻开古今中外文学史、音乐史和绘画史,我们会发现一种极普遍、令人深思的现象:世界第一流的诗歌、小说、剧本、乐曲和绘画作品,几乎无一不是出自个人的手笔。文学艺术创作似乎并不遵从如下一条静力学定律:一组人力的合力,恒大于其中单独一人之力。
Where did you actually read a lyrical poem written by Du Fu and his close friend Li Bai? Where did you read Turgenev and one of his contemporaries, Tolstoy, Or did you hear of a piano concerto created by Schumann and his good friends Mendelssohn and Brahms? Indeed, we open the history of literature, both ancient and modern, history of music and painting, and we You will find an extremely common and thought-provoking phenomenon: world-class poetry, novels, scripts, musical compositions and paintings almost always come from personal writing. Literary and artistic creation does not seem to follow one of the laws of statics: a group of manpower together, greater than one of them alone.