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文彭(一四九七—一五七三),字寿承,号三桥,文徵明长子,明代著名的书画篆刻家和鉴藏家,在对文彭关注的过程中,其书画篆刻及鉴藏活动中凸显出强烈的经济意识和频繁的经济行为引起笔者好奇。文彭到底是什么身份?书画篆刻家、鉴赏家、官僚、还是商人?通过对文彭的多通信札解读,本文大致勾勒出文彭在明代书画市场(主要是与明代大收藏家项元汴的书画鉴藏)的经济活动,由此展现一个作为社会人的文彭所具有的生活化、人性化与世俗化的多重性格。使我们更加了解文彭鲜活的同时,更为我们探究明中后期苏州地区的文人经济活动与艺术生活提供了更多有价值的细节。在嘉靖七年(一五二八)王宠与袁褒的一笔借贷中,文彭曾做过中间人,此年文彭三十二岁,这大概是
Wen Peng (1497 - 1573), the word Shou Cheng, No.3 Bridge, the eldest son of Wen Zhengming, the famous Ming Dynasty calligrapher and collector, in the process of paying attention to Wen Peng, the calligraphy and seal cutting And highlighting the possession of a strong economic awareness and frequent economic activities led to my curiosity. Wen Peng in the end what is the identity? Painting and calligraphy and seal cutting, connoisseurs, bureaucrats, or businessmen? By Wen Peng’s interpretation of the multi-communications, this article roughly outlined Wen Peng in the Ming Dynasty calligraphy and painting market (mainly with the Ming Dynasty collector Xiang Yuan The collection of paintings and calligraphy collection) economic activities, thus showing a as a social person Wen Peng has the living, humane and secular multiple personality. This helps us understand more about Wen Peng’s life and provides more valuable details for us to explore the literati’s economic activity and artistic life in the Suzhou area in the late Ming period. In Jiajing seven years (one hundred fifty-eight) Wang Chong and Yuan Bao a loan, Wen Peng had been an intermediary, this year Wen Peng thirty-two years old, this is probably