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这是一个充满希望的时代,这是一个充满绝望的时代。 ——摘自[英]狄更斯《双城记》 在学院的樊篱中能以前卫姿态呈现自己艺术面貌的,田力勇是其中一个。他从学院毕业不久,即摆脱了风格化、样式化的束缚,义无反顾地投入到了当代艺术的探索中,并以《看图识字》系列和《欢乐家庭》等在“艳俗艺术”中以个性化的视觉语言图式给人留下了鲜明印象。 近期的扇面系列可以说是从文化批判的角度对“艳俗艺术”在精神上的延
This is an era full of hope. It is an era full of hopelessness. - From [English] Dickens “Twins” In the fence of the college to be able to present their artistic appearance with avant-garde attitude, Tian Li Yong is one of them. Shortly after graduating from college, he got rid of the shackles of stylization and stylization and turned his heart into the exploration of contemporary art. He took “Pictures in Literacy” series and “Happy Family” The visual language schema left a distinct impression on people. Recent series of fans can be said that from the perspective of cultural critique of “gaudy art” in the spiritual extension