论文部分内容阅读
在近代,康有为试图从国画改良运动入手改变中国画命运,其纲领与宣言是《万木草堂所藏中国画目》(以下简称《画目》)。使他产生改良国画理念的依据就是他的这一大批“珍藏”。到底这批藏画真伪优劣如何?下落何处?一百年来除少数人只言片语的回忆外,竟没有人做专门的追踪与研究,不能不说是近现代美术史的一大悬案。
In modern times, Kang Youwei tried to change the fate of Chinese painting from the improvement of traditional Chinese painting. The program and declaration are “Chinese paintings hidden in Wanmu Cottage” (hereinafter referred to as “paintings”). The basis for his idea of improving the traditional Chinese painting is his large collection. In the end, what are the pros and cons of these paintings? Where is the whereabouts? Except for a few hundred years, only a few words are reminisced of by a few words, but no one has done any special follow-up and research, and can not but say that it is a big suspense in the history of modern art.