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“多媒体戏剧”一词虽然频频见诸于各种媒体的报道和学术文章中,但是从“多媒体”的定义和“戏剧”的定义来看,如何定义“多媒体戏剧”至今仍然是一个没有解决的课题。本文试图通过对使用比较成熟的“电影戏剧”、“剧场影像”两种观念的实践意义进行总结,由此来阐述多媒体影像对现代戏剧的发展所带来的正负面的影响,并且通过美学与文艺批评理论来阐述多媒体影像在现代戏剧演出中的实践与理论意义。最后对是否可能出现“多媒体戏剧”形式提出大胆的设想。
Although the term “multimedia theater” is frequently found in reports and academic articles of various media, it is necessary to define the definition of “multimedia drama” from the definition of “multimedia” and the definition of “drama” Still an unresolved issue to this day. This article attempts to summarize the practical significance of using two concepts of “movie theater” and “theater image”, which are relatively mature, to illustrate the positive and negative impact of multimedia video on the development of modern drama, Through the theory of aesthetics and literary criticism, this paper expounds the practice and theoretical significance of multimedia images in the performance of modern drama. Finally, the possibility of a “multimedia drama” form a bold idea.