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康德用审美或艺术活动作为连接知识与道德、必然性和自由之间的桥梁开启了德国古典哲学的审美自觉也给马克思极大的启示,马克思的自由观是在继承康德、席勒等审美解放理论的基础上发展起来,马克思独特的是将自由的实现置于人类实践发展的历史中,最终打开了一条人通向自由的通道。马克思始终将审美或艺术活动作为自由的典范,在马克思心目中,真正的自由王国只能是自由活动的领域。这为我们理解马克思对德国古典哲学的继承又提供了一条新的线索。
Kant uses aesthetic or artistic activities as a bridge between knowledge and morality, which opens up the aesthetic consciousness of German classical philosophy and gives Marx a great inspiration. Karl Marx’s concept of freedom inherits the aesthetic emancipation theory of Kant and Schiller Developed Marxism is unique in the realization of the realization of freedom in the history of the development of human practice and eventually opened up a passage leading to freedom. Marx always regards aesthetic or artistic activities as a model of freedom. In Marx’s mind, the real freedom kingdom can only be a field of freedom activities. This provides a new clue for us to understand Marx’s succession to German classical philosophy.