论文部分内容阅读
金太祖、太宗先后灭辽和北宋,向中原地区开拓了金国的疆域,建立了奴隶制和封建制相浑一的政权。熙宗朝的统治形式己向封建制方向转化;入海陵王完颜亮朝,迁都燕京(今北京),实行了更为强烈的政治、文化的汉化措施;世宗完颜雍登基后,使之过渡到相对完善和稳定的封建体制,他对外与宋媾和、对内与民休息,促进了社会生产力的发展,这些为章宗朝在文化艺术上的全面蓬发奠定了基础。章宗朝鼎盛的绘画艺术不仅是政治、经济和文化发展的必然,更是金代艺术与汉文化在交融中演进的
Jin Taizu and Taizong successively destroyed the Liao and Northern Song Dynasties and opened up the territory of the Jin Kingdom to the Central Plains and established a regime of slavery and feudalism. The reign of Emperor Xizong toward the feudal system of the direction of the transformation; into the sea Ling Wang Wanyan Chao, the capital moved to Beijing (now Beijing), the implementation of a more intense political and cultural localization of measures; Sejong Man Yan Yong ascended the throne, make the transition To a relatively perfect and stable system of feudalism, his foreign relations with the Song Dynasty, the rest of the people and the rest of the people promoted the development of social productive forces, which laid the foundation for Zhang Zongchao’s comprehensive culture and art. Zhang Zongchao’s peak art of painting is not only the inevitable result of political, economic and cultural development, but also the evolution of the fusion of Jin Dynasty art and Han culture