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关根伸夫(现年58岁),系世界知名的日本大型环境艺术家。从20世纪60年代末,尤其是从70年代中期以来,从事城市公共环境艺术的规划和创作。先后为日本和欧洲等地创作和落成了四百余项环境艺术工程。其人和其作品颇为当代日本、欧美和中国美术界及环境艺术设计界长期关注和好评。在其大量的环境艺术作品中,诸如《相位一大地》(1968),昭和之林纪念塔广场艺术(1979),千代野新町的《谈话广场》(1982),盐滨公寓住宅区的《等待广场》(1982),爱知县江南女子短期大学《空的首饰》广场景观艺术(1989),新泻站前广场的《象征性空间》(1982),世田谷美术馆入口广场的壁泉景观雕刻艺术(1986)和东京都厅前大型水体景观雕塑艺术《水的神殿》(1991)、东京都新宿区《虹的岛影》(1986)等大型公共艺术作品,都给人们留下了独具个性而又亲和美妙的印象,并多次获得艺术大奖。在当代日本和国际艺术界具有相当的知名度和影响力。笔者对关根伸夫进行了一次专程访问,现把部分言谈内容记述如下:
Akira Kangen (58 years old), is the world’s leading Japanese large environmental artist. Since the late 1960s, and especially since the mid-1970s, he has been engaged in the planning and creation of urban public environment art. He has authored and completed more than 400 environmental art projects in Japan and Europe. Its people and their works are quite contemporary Japan, Europe and the United States and China art and environmental art design long-term concern and praise. In a large number of works of environmental art, such as “The Great Earth” (1968), Showa Forest Memorial Plaza Art (1979), Chiyoda Shinmachi’s “Talk Plaza” (1982), Yanbian Apartment Complex Square (1982), Aichi Prefectural Women’s Short-Term University “Empty Jewelery” Plaza Landscape Art (1989), Niigata Station Square “Symbolic Space” (1982), Art Fountain at the Setagaya Art Museum Entrance Plaza (1986), and large public art works such as the Shrine of Water (1991), a sculpture of a large body of water landscape in front of the Tokyo Metropolitan Government, and “The Island of the Rainbow” (1986) in Shinjuku, Tokyo, have given people unique personalities But beautiful and intimate impression, and won numerous art awards. In contemporary Japan and the international art community has a considerable reputation and influence. The author made a special trip to Guan Yufu and made some interviews as follows: