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“眩光”是由于视野中不均匀的亮度分布或极端的亮度对比导致的视觉失衡,以致降低物体可见度和视觉分辨力的光源环境。作为一种特殊视觉现象在电影影像制作中理应加以回避,但随着电影科技的进步,媒介记录能力的改善,这一现象最大限度的被弱化,银幕呈现更加接近人的视觉经验;同时,因其独特的视觉效果会产生特殊的情绪和心理感染,进而成为一种影视表意语言,在现代电影制作中被广泛运用。与一般意义上的电影语言不同之处在于,它是伴随现代电影技术发展而逐步成熟的,因此,具有现代性、技术性和杂耍性等特点。
“Glare ” is the light source environment due to uneven brightness distribution in the field of view or extreme visual contrast caused by the contrast of brightness, so as to reduce the visibility and visual resolution of objects. As a special visual phenomenon should be avoided in the film and video production, but with the improvement of the movie technology and the improvement of the media recording capability, this phenomenon is weakened to a maximum extent and the screen presents a visual experience closer to human beings. At the same time, Its unique visual effects will have a special emotional and psychological infection, and thus become a kind of television ideographic language, is widely used in modern film production. And the general sense of the film language difference is that it is accompanied by the development of modern film technology and gradually mature, therefore, with the modernity, technical and juggling features.