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当晓明同志“雅俗共存,多层发展”的主张一出,发表高见者甚多。赞同者大有人在,冯骏、万斋、陈定懋的文章皆同晓明同志所论。本人无意去反对晓明同志的主张,但总觉得还有其不足,需作一补充。“雅俗共存,多层发展”固然可满足各种层次的欣赏者的需要,但纵观古今音乐实际,真正有生命力的音乐作品,实在是那些具有“雅俗共赏”之功的作品(这里丝毫未贬低不朽的“高雅”之作)。《梁、祝》、《二泉映月》、《黄河大合
When Xiaoming comrades “elegant and vulgar coexistence, multi-level development,” one advocate, many highly-regarded. A lot of people agree, Feng Jun, Wan Zhai, Chen Ding Mao’s articles are the same with Comrade Xiaoming said. I have no intention of opposing Comrade Xiaomeng’s claim, but I always think there are still some deficiencies that need to be supplemented. Although the coexistence of elegance and vulgarity and multi-level development can meet the needs of appreciators of all levels, it is really the work of “Elegance and Popularity” that looks at the actual and truly realistic musical works of ancient and modern times Immortal “elegant” for the make). “Liang, I wish”, “Er Quan Ying Yue”, "Great Yellow River