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2016年6月9日,尊敬的音乐家张锐先生离我们远去。张先生是他那个时代为数不多的集音乐表演、音乐创作、表演美学理论研究于一身的“三位一体”的音乐家。先生年逾九旬犹能自如地演奏、富有激情地演唱革命歌曲,被乐坛学人私下亲切地称之为“张锐现象”。如果说美国纽约爱乐乐团首席单簧管演奏家斯坦利80高龄登台演出创吉尼斯纪录被称为奇迹的话,张锐先生的艺术生命则是奇迹中的奇迹。出于对如此持久旺盛的演奏生命力的惊叹,笔者曾长期关注张锐先生二胡艺术,也曾对张锐先生作过多次访谈,现不揣浅陋做一些个人阐释,以奉读者。
On June 9, 2016, Mr. Zhang Rui, a distinguished musician, is away from us. Mr. Zhang was one of the few musicians in his era who studied music theory and performance aesthetics. More than ninety years old, he still can play freely, singing revolutionary songs full of passion, privately known by music scholars as “Zhang Rui Phenomenon ”. If the United States New York Philharmonic Orchestra Principal Clarinetist Stanley 80 stage performance Guinness record is called a miracle, then, Mr. Zhang Rui’s artistic life is a miracle miracle. Out of the excitement of such a prolonged vigorous performance of vitality, I have long been concerned about Mr. Zhang Rui erhu art, but also made many interviews with Mr. Zhang Rui, is not exaggerated to do some personal interpretation to readers.