论文部分内容阅读
我国古代戏曲题材的发展，就其主流来看，大致走过了一条从宋元南戏的演人，到元杂剧的借鬼演人，再到明清传奇的演人之嬗变道路，三者相比，宋元南戏多从愿望和伦理的角度对社会邪恶进行批判，明清传奇多从现实和政治的角度对朝廷腐败进行揭露；元杂剧关注下层社会的清平和人民的命运，明清传奇关注上层社会的清平和朝廷的命运。三者对社会的批判精神是一致的，体现了古代戏曲创作中现实主义精神的不断演变、发展和成熟。
The development of ancient Chinese drama themes, on its mainstream point of view, has generally gone through an actor from the South of the Song and Yuan Dynasties to the ghost drama performer, and then the legendary legend of the evolution of the road, the three phases Compared with the Song and Yuan Dynasties, the South Opera in the Song and Yuan dynasties critically criticized social evil from the perspective of desires and ethics. The legends of the Ming and Qing Dynasties exposed the corruption of the court from a realistic and political point of view. The Yuanza Opera paid close attention to the peace of the lower society and the fate of the people, The cleanup of the upper class and the fate of the court. The three are consistent with the critical spirit of society and reflect the continuous evolution, development and maturity of the realism spirit in the ancient drama creation.