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明末李雯《破梦鹃》杂剧未刊稿的发现,引起治戏曲史的学者重视。徐立《古杂剧〈破梦鹃〉初探》一文,未能遵循“知人论世”的古训,对该剧撰者李雯、序作者徐芳等未加以考订,对近人题跋中的某些失误,也未予以辨析订正,就轻易将所谓杨慎的《太和记》当成最早的川剧作品,“这以后就出现了一个断档”。“《破梦鹃》杂剧的发现,为我们弥补了这个断档的缺陷”。本文则认为《太和记》非杨慎所撰,而是明代许潮的杂剧作品;李雯根本就不是四川文士,他为明末清初江西南城县的戏曲作家。明代川籍作家的剧作,与川剧是两个概念,不可混为一谈。
The discovery of the unpublished dramas of Li Wen’s “Broken Dreams” curator at the end of the Ming dynasty has drawn great attention from the scholars who dealt with the history of drama. Xu Li, “Ancient Drama << Broken Dreams Juan” a text, failed to follow the “knowledge of man on the world ” of the ancient scriptures, the dramatist Li Wen, Xu Fang and other authors did not examine the text of the inscription Some mistakes, but also did not be analyzed and revised, it is easy to call the so-called Yang Shen’s “Taihe Ji” as the earliest Sichuan Opera, “There was a break after this ”. “” Dreambreaking Juan “The discovery of the drama, made up for us the flaw in this file ”. This article argues that “Taiheji” is written by Yang Shen, but is a drama by Xu Chao in the Ming Dynasty. Li Wen is not a scholar in Sichuan at all. He is a drama writer in Nancheng County, Jiangxi in the late Ming and early Qing Dynasty. Sichuan opera writers of the Ming Dynasty drama, and Sichuan Opera are two concepts, can not be confused.