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“天机”是中国古代文艺理论中的一个重要概念。陆机《文赋》中对“天机”的论述是“若夫应感之会……来不可遏,去不可止……”。在书画理论领域,“天机”是有着强烈审美势能的美学理念,蕴含着宇宙造化的生命感。曾熙的书法理论中对“天机”的表述虽然不多,但有着丰富的内涵。曾熙的“天机论”并非只强调作书时“来不可遏,去不可止”的灵感思维,更是书家作为审美主体的灵性与外在物象偶然遇合的产物。曾熙认为,书法中的“天机”首先要暗合“古
”Secret machine “ is an important concept in ancient Chinese literature and art theory. Lu Ji, ”Wen Fu“ in the ”secret machine “ argument is ”Ruofu should feel it ... ... come to an end, not to stop ... “. In the field of calligraphy and painting theory, ”secret machine “ is aesthetical concept with strong aesthetic potential, which contains the sense of life of the universe. Although there are not many expressions of ”secret machine “ in Zeng Xi ’s calligraphy theory, it has rich connotation. Zeng Xi’s ”Theory of Tianguang“ is not merely an inspirational thinking that emphasizes the book ”flies over and over“ but also a product of the occasional encounter between the spirituality and the external objects of the book’s aesthetic subjects. Zeng Xi believes that the calligraphy ”secret machine “ must first covert ”ancient