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编剧有没有话语权,有多大的话语权,这一直是近几年影视圈一个老生常谈的话题。严格地说,这是编剧圈里的一个话题,一个编剧们在聚会时诉苦和自我解嘲的话题。时间一长,编剧的话语权到底提升了多少很难说,但编剧们好像变成了一帮祥林嫂似的人物,自怨自艾,唠唠叨叨。一种现象之所以能成为话题,证明这种现象比较普遍,其中存在的问题亟待完善。从来没听说过导演、制片人的话语权成为问题,甚至
Writers have no right to speak, how much the right to speak, which has always been a cinema in recent years a common topic. Strictly speaking, this is a topic in the writers’ circle, a topic that the screenwriters complain and self-mock at the party. For a long time, it is hard to say how much the screenwriter’s voice has risen. However, the writers seem to have become like a bunch of people like Xianglinsao, complacent and nagging. The reason why a phenomenon can become a topic proves that this kind of phenomenon is quite common, and the existing problems are in urgent need of perfection. Never heard of the director, the producer’s voice becomes a problem even