论文部分内容阅读
通过对庾信诗歌中丰富的酒意象进行分析,我们可以管窥庾信复杂的心灵世界,即:消忧忘愁的乡关之思,哀伤痛楚的失节之恨,娱情遣兴的行乐心态,例行公事的感恩之念以及淡然闲适的隐逸情怀等。在意象传承与发展上,庾信继承阮籍、嵇康的酒琴情怀与陶渊明的酒菊精神,经过糅合与消化,酒、菊、琴三者便常常共同出现在庾信的诗作中,形成了新的创作模式。在文化心理上,酒意象与琴、菊意象的组合连用可以看出庾信对“竹林风度”的体认以及对陶渊明精神的追慕。
Through the analysis of rich wine images in the poems of Xun Xin, we can have a glimpse of the complex spiritual world of Xun Xinsheng, namely, the thoughts of the township, the sorrows and sorrows, the hatefulness of grief, the mentality of entertaining, The gratitude of the routine and the indifferent feelings of calm and indifference. In the inheritance and development of images, Ji Xin inherits the enchantment of Ji Nguyen and Ji Kang, and the poetic spirit of Tao Yuan-ming. After mixing and digesting, the wine, the chrysanthemum and the lyric often appear in the poems of Sui Xin, forming a New creative mode. In the cultural psychology, the combination of the wine image and the piano and the chrysanthemum image can be seen as the recognition of the “Bamboo Style” and the admiration of Tao Yuanming’s spirit.