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我是从电影《心跳墨脱》开始认识蒙古族电影导演哈斯朝鲁的,我知道他是一个为了电影可以玩命的人。后来通过电影《长调》,又加深了对他的认识,那就是对电影艺术的一种追求:用一个民族具有标志性的文化形式作为手段,打通艺术与人生,打通历史与现实,打通心灵与生活,打通信仰与命运……他的这样一个特性,又表现在电影《唐卡》的创作上。和《长调》一样,《唐卡》也是一种打通。而这一次我不再只是作品完成后的观赏者,而是受邀担任了该片的总顾问之一,从剧本的通关到影片的完成、展映、研讨、推广,导演与其
I started from the movie “heart Medog” began to recognize the Mongolian film director Haas Chao Lu, I know he is a film for the life of people. Later, through the film “Long-tune”, but also deepened his understanding of that is a pursuit of the art of cinema: a nation with a symbolic cultural form as a means to open up art and life, to open up the history and reality, to open up the heart And life, to open up the faith and destiny ...... Such a feature of his, but also in the film “Thangka” on the creation. And “long tone” is the same, “Thangka” is also a kind of get through. And this time I am no longer just the viewer after the completion of the work, but invited to serve as one of the general counsel of the film, from the script clearance to the completion of the film, screenings, seminars, promotion, director and its