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我是湘剧琴师彭菊生的女儿,在那吃人的旧社会,唱戏的艺人被看做“臭戏子”、“下九流”!那年月,我们艺人连自己也看不起自己呵!我爹爹就发誓不让儿女再走他的老路,宁肯把仅只十五岁的大姐嫁出去,把十二岁的哥哥送去当童工,也不让我们学戏。一九四一年的寒冬,那是烽火连天的岁月,刚满十岁的我,跟随爹爹所在的戏班,从长沙逃难到了桂林。由于没有生意,戏班老板和不少演员纷纷离去,演出的“行头”也带走了。留下的只有名小生吴绍芝和我爹等二十多人,欲演不能,欲走不得。剧场老板
I am the daughter of Xiang Ju, a pianist, in the old world of cannibalism. The entertainers who are singing the opera are regarded as “smelly opera” and “under the stream of nine.” In those days, our artist even looked down upon himself! Oh, my dad vowed not Let their children go his path, would rather marry only 15-year-old sister, the 12-year-old brother sent to work as a child labor, do not let us play. In the winter of 1941, it was a time of flames, just ten years old, I follow the troupe’s troupe, fleeing from Changsha to Guilin. Because there is no business, the troupe boss and many actors have left, the performance of the “line head” also took away. Leaving only the famous scholar Wu Shaozhi and my father more than 20 people, want to play can not want to go. Theater boss